Truth is Truth

“‘Truth is truth, wherever it is found, and while Orthodox Christianity does claim uniquely to teach the fullness of truth, it does not claim a monopoly on truth. On that basis, Orthodox Christians are open to mutual learning and mutual transformation. This step may sound radical. But once we admit that truth exists outside our own faith, and especially if we say that everything that is true is true because it reflects Jesus Christ (who is Truth), then we must be open to the ways in which God’s truth has been found even in faiths that do not share our belief in Christ.’ (Peter Bouteneff)”

“‘[Justin] says that all truth belongs to Christians because God, through the Word, is the source of all truth, and the Word who took on human flesh in Christ is the fullness of all human truth. But those who even unwittingly have participated in this truth are in some sense in communion with it however imperfectly, and this is because ‘seeds of the Word (logos)’ [logos spermatikos] are found everywhere.’ (John Garvey)”

(Andrew M. Sharp, Orthodox Christians and Islam in the Postmodern Age, p. 50 & 60)

Creativity: Revealing the Truth or the Self?

One thing I asked of the LORD, that will I seek after . . .
to behold the beauty of the LORD…  (Psalm 27:4)

Then Elisha prayed: “O LORD, please open his eyes that he may see.” So the LORD opened the eyes of the servant, and he saw . . .   (2 Kings 6:17)

In 2008, I decided to purchase a camera for myself.  I certainly had no ‘philosophy’ of photography which was driving me.  I wanted to take pictures of things I enjoyed looking at, and my first interest was the trees.  I was then and am now a walk-by shooter.  I take photos of whatever catches my eye.  Excuse the pun, but I have no focus in my photography.

I discovered however that photography changed me.  It made me pay more attention to nearly everything – from color to light, from the smallest of things to the big picture of landscapes.  I became more alert to sounds and smells as well as shapes, shades and sizes. Patterns interested me and texture, and I realized that sometimes photos told stories.  I realized that unlike language which one has to know to communicate, photos are a somewhat international language which people can understand and appreciate no matter what their native tongue.

I’ve never even risen to the level of being an amateur photographer, for the root of that word means “a lover of …”.   And I know that while I have enjoyed photography, I’ve not loved it so much as to study it or learn how to improve my skills.  I do a lot of trial and error and don’t remember the lessons.

I read Jan Phillips’ book, GOD IS AT EYE LEVEL, with the hope of gaining insight into how to be a better photographer, but realize I probably will always be the walk by shooter and will never take the time to learn the art of photography or the science of the computer which the digital camera is.  I was intrigued by Phillip’s comments on art and creativity, somewhat because I do not share a lot of her values or experience about life, art, photographs or photography.  She writes:

“A creative act is a process of conjuring up something visible from the invisible, of transforming a thought or experience into a form that can be perceived or encountered by another.  Creativity is a universal human urge.  We each yearn to express our experiences in such a way that others can know them vividly and sense their significance.  Art emerges out of this urgency to share our lives, our visions and voices, fears and passions, and every work of art reveals something intimate about the artist.

Her words above are different than my inner life.  I remain an introvert and shy.  I have no yearning to express my inner experiences, no urge to be creative and show off my ‘art.’  I’m amazed when anyone pays any attention to what I’ve written or photographed.  My works are not original, but trying to frame what I see and hear and read – things that stand out from the world around me and all created by someone else.  I find her image of “conjuring up something visible from the invisible” intriguing, but see myself only drawing attention to what is visible, but perhaps overlooked.

Phillips writes:

When I look into a mirror, I see my face, my body, the form of my being.  When I look into my images, it is my soul that I find reflected, parts of myself that cannot be revealed in language.  I could tell you about myself in puffed-up words, exaggerating my abilities, emphasizing my strengths, leaving out my flaws and failings, and you would walk away with a certain notion about who I am.  If, instead, I handed you a box of my photographs and said, ‘This is the essence of who I am,’ your understanding of me would be truer, undistorted by language and interpretation.  My photographs are a direct line to my inner world.  They are the shortest distance between my soul and yours.

While I believe what she says is true, my photos do say something about me, I don’t see them as revealing me as much as they show to what I pay attention.  I’m far more interested in the world outside of myself.  Every one of my photos is an enigmatic photo of me exactly because I’m not in them.  I like to be invisible and so prefer being the photographer than the photographed.  And unlike Phillips, I think even photographs are interpreted so they are always seen through the lens of the experience of the beholder.

Again Phillips writes:

Even more important, my photographs are a direct line between my soul and me.  As much as an image speaks of the things seen, it speaks also of the person who photographs it.  In Photography of Natural Things, Freeman Patterson writes that ‘the finest images- the images that stir our souls- combine documentation of natural things with a sense of what they mean to us.’  My take on a desert dune or a redwood forest is not only different from any other photographer’s but reflects where I am emotionally and spiritually on the day when I’m shooting.  If I am feeling fearful in the face of an oncoming storm, my image will contain a sense of that.  If I am standing on mountain top, awed by the grandeur, my awe will be reflected in the photograph I make.  I listen for what my subject is saying to me, and once I know that, I can make a photograph that expresses both what it is and who I am as I see it.

The above comment is definitely one way in which I fall short as a photographer.  I don’t always think about what the subject or the scene means to me or what I feel about it.  I’m certainly guilty of allowing myself to view life only through the camera and not enjoying or experiencing what is right before my eyes.

I don’t try to capture awe or fear in my photos though I think the idea is right.  I am not as convinced as her that my take on a subject is all that different than others.  I’ve seen the photos of my family members of a given place or event which we all experienced.  We often focus on the same thing, though granted there can be variation on what each was trying to capture in the moment.

Minor White said that the goal of the serious photographer is ‘to get from the tangible to the intangible, to render the image in such a way that it becomes a metaphor for something else- usually the photographer’s state of mind.'”  (Jan Phillips, GOD IS AT EYE LEVEL, pp 91-92)

I wonder, can I see myself in my photography?

It seems to me that for Phillips “art” as just an expression of what is in the person, individualism, the person creates the art.  My sense of art is that it reveals what is there to be seen, especially the beauty.  Is that just another dandelion – another pesky weed, or is there something beautiful that we can see?    Can we see beyond the visible to the invisible Creator of beauty?  I think we can.

The difference in how we see the world is the difference in understanding  between a Transfiguration in which Christ suddenly reveals His divinity like a nuclear blast to His disciples, or one in which the disciples are the ones transformed  – everything that prevents them from seeing reality is removed from their eyes and now in the transfiguration they finally see Christ as He always is.

Phillips in her book writes about “self-discovery” and what a thing or the the thing she photographs “means to me“.  I think what art is really about is discovering the other, the not-me, so that I find my place in the world, in God, my relationship to all that is, because all that is is not my creation or just a way to find me or just what it means to me.  In discovering the other, I learn to think beyond the self, to open myself to love – loving the other and being loved by the other.  I realize their is an entire created order which I did not create but has a real Creator.  Self-discovery can quickly disintegrate into self-love which is the opposite of love, which is always oriented  in the full meaning of that word – exactly other directed or directed toward the other.  Love gives us direction, it orients us!

The beauty of photography is not what it reveals about me, but that it reveals beauty is beyond me, not limited by my ideas, but a window into the eternal Creator which can be seen by all.  The photograph gets me to stop for one second and realize the beauty of truth and the truth of beauty.

Images Not Imagination

A picture is worth a thousand words, or at least wisdom claimed this at one time.  Here are three images that caught my attention.

First from the Dayton Art Institute which recently had an origami art display.  A piece entitled “Twisted Holy Book” by  Miri Golan (2014):

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The holy book is opened and there is an outpouring from the book as the meaning of the words expand beyond the limits of the book itself.  The words have life in them and a force like the living water Christ mentions – they are moving, flowing, interacting with the reader of the words who in turn gives them life, an incarnation so that they can be observed by others who cannot see the book.  If the words remain print on a page, they are lifeless, but when they flow from the pages into the world, into our hearts then they expand in a divine way – eternal and infinite.  We, the readers, of course, have to be willing to allow the pages of life to enter our lives.  We have to be looking for the living God on every page to see beyond the ink into the infinite.  When we move beyond the words on the pages, we come to experience the Word of God to whom the Scriptures bear witness.

The second I saw in the Indianapolis Museum of Art was painted in 1864  by Frederic Edwin Church and is called “Our Flag”:

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The year it was painted America was in the midst of the Civil War, a depressing time for the country with a lot of hopelessness, and yet the artist still had a hope in “The triumph of America.”  The country was completely divided by the partisan politics of the day, by the evil of slavery – and the division sometimes pitted family members against each other.  Yet, America still symbolized something – an ideal, a goodness that could rise above the turmoil, above the fray.  And perhaps even the darkness was needed to make people want to find the light – to help them understand there is a light beyond the immediate controversy which can shine on us and through every darkness.  It might give us hope that America is greater than what the extremists on the left and right push for and refuse to compromise on.  Maybe the ideal will be the unifying factor that will enlighten and inspire our politicians to work for the common good, not for a political party when we realize the ideal is multifaceted and we may just be looking at it from different sides.

The third work I saw at the Denver Art Museum, entitled “Peace: The Beauty of Friendship Overcomes the Beasts of War” by Steff Geissbuhler (1986):

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This one brought a smile to my face as Godzilla and King Kong, mortal enemies in the movie hold hands and share an ideal.  The beasts of war are in our heart – individually but also collectively as a nation.  We can overcome and tame those beasts, humans actually can rise above their passions if they choose.   We as creatures in God’s image can rise above our mere animal nature.   If we understand that we are a small piece of the big picture which is unfolding, and that we are not God, not even Godzilla, but are human, capable of soothing the beasts within ourselves, capable of opening our hearts to allow the God who is love to dwell in us.   We may disagree but our warfare need not last forever.

The Beauty of Holiness

“From earliest times man called sacred or holy that which he perceived as the supreme value, demanding reverence, acknowledgement, awe, and thanksgiving; which at the same time attracted man to itself, inspiring familiarity and intimacy. We speak of the sacred feeling of homeland, of the sacred love towards parents, of sacred awe in the face of beauty, perfection, wonder. Thus, the sacred is that which is higher, purer, demanding all that is best: the best sentiments, the best efforts, the best hopes in man. The peculiarity of the sacred is precisely in the fact that it demands from us an inner awareness of self-evident and free desires; yet not simply an awareness, but action and life consistent with this awareness. The awareness that two times two makes four, or that water boils at a specific temperature leaves us neither better nor worse; such an awareness belongs to the righteous and the unrighteous, to the ignorant and the intelligent, the genius and the simpleton. But if we experience a sacred awareness in terms of beauty, or moral perfection, or a special intuition about the world and life, then this awareness immediately makes some demand on us, effects some change in us, invites us somewhere, captivates us, seduces us.

How simply and beautifully Pushkin described this in his famous poem, “The memory of a glorious moment….” The poet forgets the “vision,” the instruction of “disturbing storms,” the dispersion of “previous hopes,” and writes,

…my soul was stirred

And once again you came,

A passing vision,

A glimmer of beauty pure.

In fullness beats my heart,

Feeling once again

The resurrection of divinity,

And inspiration, and life,

And tears, and love.

Here is the description of the sacred as beauty. This experience changes life in its entirety, fills it, in the words of Pushkin, with meaning, and inspiration, and joy, and the divine. “

(Fr. Alexander Schmemann, Our Father, pp. 26-28)

Take Delight in All Things

Your own of Your own we offer to You on behalf of all things and for all things.” (Divine Liturgy of St. John Chrysostom)

… when You open Your hand, they are filled with good things.”  (Psalm 104:28)

“Take delight in all things that surround us.  All things teach us and lead us to God.  All things around us are droplets of the love of God –

both things animate and inanimate,

 

the plants and the animals,

the birds and the mountains,

the sea and the sunset and the starry sky.

They are little loves through which we attain to the great Love that is Christ.

Flowers, for example, have their own grace: they teach us with their fragrance and with their magnificence.  They speak to us of the love of God.

They scatter their fragrance and their beauty on sinners and on the righteous.”  (Elder Porphyrios, WOUNDED BY LOVE, p 218)

Thinking About What Is True

St. Paul can write to the Philippians,

‘Whatever is true,

whatever is honorable,

whatever is just,

whatever is pure,

whatever is lovely,

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whatever is gracious,

if there is any excellence,

if there is anything worthy of praise,

think about these things’

(Phil. 4:8).

Because in thinking about these things, Paul says, our minds are on Jesus Christ. In the next chapter of the same letter he says, ‘Once you were darkness, but now you are light in the Lord; walk as children of light, for the fruit of light is found in all that is good and right and true’ (Eph. 5:8-9, emphasis added).

Conversely,

anywhere there is deceit or distortion of truth;

where there is a degree of denial on however a deep a level;

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where we are dishonest- out of convenience or out of the need for power or gratification or out of misinformation or ignorance – or if we are ‘living a lie’;

there is a distance from Christ himself.”

(Peter Bouteneff, Sweeter Than Honey, p 33)

 

 

God’s Love and Our Free Will

St. Ephrem the Syrian (4th C)  gives a wonderfully artistic metaphor to help us understand free will.  He says it would have been a whole lot easier for God if God had simply created us to obey Him – if God had created automatons or robots, rather than bestowing free will on humans.  God could have forced us to do His will, but God didn’t will that.  God created us to co-create with Him.  God gave us free will so that we might create beauty.  If God had forced us to do His will then we wouldn’t be in God’s image.  Instead of God “painting” our portraits as He determined, He gave us the gifts to beautifully create self-portraiture.  We get to choose the colors adorning our portraits, creating unique beauty which is the way to please God.

Christ is the image of the invisible God (Colossians 1:15)
Christ is the image of the invisible God (Colossians 1:15)

“For this is the Good One, who could have forced us

to please Him,

without any trouble to Himself; but instead He toiled

by every means

so that we might act pleasingly to Him of our free will,

that we might depict our beauty

with the colours that our own free will had gathered;

whereas, if He had adorned us, then we would have

resembled

a portrait that someone else had painted, adorning it

with his own colors.”

(Sebastian Brock, The Luminous Eye, p 61)

 

Every Day Naturally I Praise the Lord

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I will extol You, my God, O King;
And I will bless Your name forever and ever.
Every day I will bless You,
And I will praise Your name forever and ever.

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Great is the LORD, and greatly to be praised;
And His greatness is unsearchable.
One generation shall praise Your works to another,
And shall declare Your mighty acts.

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I will meditate on the glorious splendor of Your majesty,
And on Your wondrous works.

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All Your works shall praise You, O LORD,
And Your saints shall bless You.
They shall speak of the glory of Your kingdom,
And talk of Your power,
To make known to the sons of men His mighty acts,
And the glorious majesty of His kingdom.

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The eyes of all look expectantly to You,
And You give them their food in due season.
You open Your hand
And satisfy the desire of every living thing.

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(select verses from Psalm 145)

The Goodness Which God Sees

‘And God saw that it was good.’ [Genesis 1]

It is not to the eyes of God that things made by Him afford pleasure, nor is His approbation of beautiful objects such as it is with us; but, beauty is that which is brought to perfection according to the principle of art and which contributes to the usefulness of its end. He, therefore, who proposed to Himself a clear aim for His works, having recourse to His own artistic principles, approved them individually as fulfilling His aim.” (St Basil, The Fathers of the Church: Exegetic Homilies, p 53)

 

According to St. Basil, the goodness or beauty of anything is determined by its original purpose in God’s creation or plan.  The more perfectly something fulfills God’s original intention for it determines whether God sees it as good/beautiful.    God, not being a creature like  us, does not have physical eyes, so God does not “see” things as we do.  God “sees” things in terms of their fulfilling the aim He originally  had for the object.   This is why God sees even our spiritual struggles as good and beautiful – as even if we struggle, we are moving toward being human as God intended us to be.

St. Basil says God is an artist following the artistic principle that values creating things which serve a purpose.  Beauty is thus related to purpose, to truth.  It is not purely subjective, but can be measured.  Everything which God created is purposeful, even if we do not know the purpose.

In this thinking, we can come to understand how scientists in revealing the purpose of anything in the universe are helping us to interpret and see the true beauty of God’s creation!

And, as the purpose of each created thing is understood, as each mystery is fathomed, we also are learning about the Creator.  God is being made known through His creation.  One thing which continues to amaze is the depth and mystery of God as Creator.

2015 in Favorite Photos

This blog contains some of my photos which I took in 2015 and which are favorites of mine.

One wedding reminded me of a life time – of memories and maturation.   Of what is no more and of what will be.  Members who I baptized as babies are now coming to be married in the church.

A Japanese Koto

Photography can give you a new perspective on life – both seeing things in a new way as well as seeing new things.   Beauty is real, inspiring, true.

Photography sometimes opens doors to things I would never have seen – even if I was looking at them.  Photography focuses our eyesight.

For health reasons, I was far less ambulatory in 2015 than in past years, and so did a lot less photography.

The above photo resulted from being confined to home following a lung resection and chemotherapy.  I was staying at home and took up coloring to pass the time.

Flowers remain a favorite subject for my photography.  I’ve come to appreciate the delicate and complex intricacies of their shapes, colors, sizes and textures.  They also tell a truth about life – natural beauty is fleeting.  So imbibe deeply when you encounter it, for it reveals change at the speed of light.

And bees continue to fascinate me, as photography has made me see them as I never did before.   I realize how important the tiniest of things are to a good life.  We live doing a balancing act with the rest of the environment – competing and being compatible.

Favorites are personal and not an objective category.  Reasons for a photo being a favorite may have nothing to do with being a “best” photo.  The image may conjure up memories or emotions which others won’t see.  Photographs, like Scripture, like the quantum universe, require an observer to interpret them and to interact with them for full effect.

I thought my parishioner Daryl’s icon of St. Ephraim was one of the best he’s ever done.  There is a dynamic quality to it that brings to life this saint whose writings inspire me so much.

A street scene in Washington, DC – neighbors and neighborhoods mean different things depending where you live.

You can view all of the photos I picked as my favorites for the year at Fr. Ted’s Favorite Photos 2015.

“He who stands in awe of God searches for the divine principles that God has implanted in creation; the lover of truth finds them.”  (Thalassios the Libyan, THE PHILOKALIA, Kindle Location 21415-17)

You can find links to all other photoblogs I’ve created at Fr. Ted’s Photoblogs.